lbr.uwpress.org/content/56/1/106.abstract
This is not an exhaustive list of sources and we would be happy to feature more links. Please email reebee at gmail.com, andrew.snyder.music at gmail.com, and eallennd at gmail.com if you would like to feature a resource on this page.
Popular Media:
Cook, Greg. 2014. “An Oral History: How the Honk Festival Began Here and Spread Around the World.” The ARTery. http://wbur.org/ artery/2014/10/11/honk-music-fest-somerville-oral-history.
Erlbaum, Ari. "A Love Letter to HONK!." Basement Medicine. October 24, 2019. https://www.basementmedicine.org/features/2019/10/24/a-love-letter-to-honk/
Frizzelle, Christopher. 2005. "Enduring Freedom: Marching Through Europe With the Infernal Noise Brigade." The Stranger. August 18, 2005. https://www.thestranger.com/seattle/Content?oid=22703
Ivanova, Irina. 2012. "Revolution You Can Dance To." The Indypendent. September 25, 2012. https://indypendent.org/2012/09/revolution-you-can-dance-to/
Kroll, Yoni. 2017. "The Positive Energy of Punk Marching Bands." Bandcamp Daily. June 26, 2017. https://daily.bandcamp.com/lists/punk-marching-bands-list
Marković, Alexander. "‘So That We Look More Gypsy’: Strategic Performances and Ambivalent Discourses of Romani Brass for the World Music Scene" Ethnomusicology Forum 24:2, 260-285. https://www.tandfonline.com/doi/full/10.1080/17411912.2015.1048266
Mason, Amelia. 2015. "As HONK! Turns 10 Years Old, We Ask 10 Bands to Share Memories of the Music Fest." The ARTery. October 5, 2015. https://www.wbur.org/artery/2015/10/05/honk-10-memories
Mason, Amelia. 2017. "In an Era of Protest, HONK! Fest's Activist Roots Come Into Focus." The ARTery. October 5, 2017. https://www.wbur.org/artery/2017/10/05/honk-fests-activist-roots
Sanders, Jhon. 2012. "HONK If You Want Brassroots Revolution." Many Mouths One Stomach. December 8, 2012. https://manymouths.org/honk-if-you-want-brassroots-revolution/
Academic:
Abe, Marié. 2018. Resonances of Chindon-Ya: Sounding Space and Sociality in Contemporary Japan. Middletown, Connecticut: Wesleyan University Press.
Abe, Marié. 2016. "Sounding Against Nuclear Power in Post-3.11 Japan: Resonances of Silence and Chindon-ya. Ethnomusicology 60(2): 233-262.
DeCoste, Kyle. 2017. "Street Queens: New Orleans Brass Bands and the Problem of Intersectionality." Ethnomusicology 61(2): 181-206.
Filastine, Grey. 2003. Music for an Angry Mob: Grey Filastine Interviewed by Lex Bhagat." Journal of Aesthetics and Protest 1(2). http://www.joaap.org/1/musicMob/
Garofalo, Reebee. 2011. "Not your parents' marching bands: The history of HONK!, pedagogy and music education." International Journal of Community Music, 4/3: 221-236.
Garofalo, Reebee. 2011. "HONK! Pedagogy: A New Paradigm for Music Education?" The Radical Teacher, 91.
Laborde, Katheryn Krotzer. 2018. "The History of the Balkan Fais Do Do (Or, How I was a Witness to the Birth of the Big Easy Balkan Music Movement)." Folklife in Louisiana.
Shukaitis, Stevphen. 2007. "Affective Composition and Aesthetics: On Dissolving the Audience and Facilitating the Mob." Journal of Aesthetics and Protest 5. http://www.joaap.org/5/articles/shukaitis/shukaitis.htm.
Snyder, Andrew. 2023. “Consensus Process in the Decision-Making of an Alternative Brass Band.” Ethnomusicology Forum: 1-24.
Snyder, Andrew. 2022. "Revelry, Inclusion, and Disability in the Street Carnival of Rio de Janeiro.” Journal of Festival Culture Inquiry and Analysis 1: 94-108.
Snyder, Andrew. 2022. Critical Brass: Street Carnival and Musical Activism in Olympic Rio de Janeiro. Middleton, CT. Wesleyan University Press.
Snyder, Andrew. 2022. “Music is Liberation: The Brass Liberation Orchestra and Music as a Tactic of Direct Action.” In At the Crossroads of Music and Social Justice, edited by Andrew Snyder, Susan Asai, Brenda Romero, Katelyn Best, and David McDonald, 239-58. Bloomington, IN: Indiana University Press.
Snyder, Andrew, Erin Allen, and Reebee Garofalo. 2022. "HONK!United: A Virtual Global Festival of Activist Brass Bands during the COVID-19 Pandemic." Music and Politics 16.1:1-28.
Snyder, Andrew. 2021. "Carnaval em casa: Activist Inversions in Rio de Janeiro’s Street Carnival during the COVID-19 Pandemic." Journal of Festive Studies 3: 17-46.
Snyder, Andrew. 2021. "Carnival Brass Bands in New Orleans and Rio de Janeiro: Disinheritance, Alternative Whiteness, and Musical Eclecticism." Ethnomusicology 65.3: 519-48.
Snyder, Andrew. 2020. "Politicizing Carnival Brass Bands in Olympic Rio de Janeiro: Instrumental Protest and Musical Repertoires of Contention." Latin American Music Review." 41.1: 27-58.
Snyder, Andrew. 2019. "From Nationalist Rescue to Internationalist Cannibalism: The Alternative Carnivaslesque, Brass, and the Revival of Street Carnival in Rio de Janeiro." Luso-Brazilian Review 56.1: 106-129.
Snyder, Andrew. 2019. "Playing the System: The Capitalist Industry of Participatory Music Education in Rio de Janeiro’s Oficinas." Journal of Popular Music Studies 31.3.
Snyder, Andrew. 2018. "Critical Brass: The Alternative Brass Movement and Street Carnival Revival of Olympic Rio de Janeiro. Doctoral Dissertation, University of California, Berkeley.
This is not an exhaustive list of sources and we would be happy to feature more links. Please email reebee at gmail.com, andrew.snyder.music at gmail.com, and eallennd at gmail.com if you would like to feature a resource on this page.
Popular Media:
Cook, Greg. 2014. “An Oral History: How the Honk Festival Began Here and Spread Around the World.” The ARTery. http://wbur.org/ artery/2014/10/11/honk-music-fest-somerville-oral-history.
Erlbaum, Ari. "A Love Letter to HONK!." Basement Medicine. October 24, 2019. https://www.basementmedicine.org/features/2019/10/24/a-love-letter-to-honk/
Frizzelle, Christopher. 2005. "Enduring Freedom: Marching Through Europe With the Infernal Noise Brigade." The Stranger. August 18, 2005. https://www.thestranger.com/seattle/Content?oid=22703
Ivanova, Irina. 2012. "Revolution You Can Dance To." The Indypendent. September 25, 2012. https://indypendent.org/2012/09/revolution-you-can-dance-to/
Kroll, Yoni. 2017. "The Positive Energy of Punk Marching Bands." Bandcamp Daily. June 26, 2017. https://daily.bandcamp.com/lists/punk-marching-bands-list
Marković, Alexander. "‘So That We Look More Gypsy’: Strategic Performances and Ambivalent Discourses of Romani Brass for the World Music Scene" Ethnomusicology Forum 24:2, 260-285. https://www.tandfonline.com/doi/full/10.1080/17411912.2015.1048266
Mason, Amelia. 2015. "As HONK! Turns 10 Years Old, We Ask 10 Bands to Share Memories of the Music Fest." The ARTery. October 5, 2015. https://www.wbur.org/artery/2015/10/05/honk-10-memories
Mason, Amelia. 2017. "In an Era of Protest, HONK! Fest's Activist Roots Come Into Focus." The ARTery. October 5, 2017. https://www.wbur.org/artery/2017/10/05/honk-fests-activist-roots
Sanders, Jhon. 2012. "HONK If You Want Brassroots Revolution." Many Mouths One Stomach. December 8, 2012. https://manymouths.org/honk-if-you-want-brassroots-revolution/
Academic:
Abe, Marié. 2018. Resonances of Chindon-Ya: Sounding Space and Sociality in Contemporary Japan. Middletown, Connecticut: Wesleyan University Press.
Abe, Marié. 2016. "Sounding Against Nuclear Power in Post-3.11 Japan: Resonances of Silence and Chindon-ya. Ethnomusicology 60(2): 233-262.
DeCoste, Kyle. 2017. "Street Queens: New Orleans Brass Bands and the Problem of Intersectionality." Ethnomusicology 61(2): 181-206.
Filastine, Grey. 2003. Music for an Angry Mob: Grey Filastine Interviewed by Lex Bhagat." Journal of Aesthetics and Protest 1(2). http://www.joaap.org/1/musicMob/
Garofalo, Reebee. 2011. "Not your parents' marching bands: The history of HONK!, pedagogy and music education." International Journal of Community Music, 4/3: 221-236.
Garofalo, Reebee. 2011. "HONK! Pedagogy: A New Paradigm for Music Education?" The Radical Teacher, 91.
Laborde, Katheryn Krotzer. 2018. "The History of the Balkan Fais Do Do (Or, How I was a Witness to the Birth of the Big Easy Balkan Music Movement)." Folklife in Louisiana.
Shukaitis, Stevphen. 2007. "Affective Composition and Aesthetics: On Dissolving the Audience and Facilitating the Mob." Journal of Aesthetics and Protest 5. http://www.joaap.org/5/articles/shukaitis/shukaitis.htm.
Snyder, Andrew. 2023. “Consensus Process in the Decision-Making of an Alternative Brass Band.” Ethnomusicology Forum: 1-24.
Snyder, Andrew. 2022. "Revelry, Inclusion, and Disability in the Street Carnival of Rio de Janeiro.” Journal of Festival Culture Inquiry and Analysis 1: 94-108.
Snyder, Andrew. 2022. Critical Brass: Street Carnival and Musical Activism in Olympic Rio de Janeiro. Middleton, CT. Wesleyan University Press.
Snyder, Andrew. 2022. “Music is Liberation: The Brass Liberation Orchestra and Music as a Tactic of Direct Action.” In At the Crossroads of Music and Social Justice, edited by Andrew Snyder, Susan Asai, Brenda Romero, Katelyn Best, and David McDonald, 239-58. Bloomington, IN: Indiana University Press.
Snyder, Andrew, Erin Allen, and Reebee Garofalo. 2022. "HONK!United: A Virtual Global Festival of Activist Brass Bands during the COVID-19 Pandemic." Music and Politics 16.1:1-28.
Snyder, Andrew. 2021. "Carnaval em casa: Activist Inversions in Rio de Janeiro’s Street Carnival during the COVID-19 Pandemic." Journal of Festive Studies 3: 17-46.
Snyder, Andrew. 2021. "Carnival Brass Bands in New Orleans and Rio de Janeiro: Disinheritance, Alternative Whiteness, and Musical Eclecticism." Ethnomusicology 65.3: 519-48.
Snyder, Andrew. 2020. "Politicizing Carnival Brass Bands in Olympic Rio de Janeiro: Instrumental Protest and Musical Repertoires of Contention." Latin American Music Review." 41.1: 27-58.
Snyder, Andrew. 2019. "From Nationalist Rescue to Internationalist Cannibalism: The Alternative Carnivaslesque, Brass, and the Revival of Street Carnival in Rio de Janeiro." Luso-Brazilian Review 56.1: 106-129.
Snyder, Andrew. 2019. "Playing the System: The Capitalist Industry of Participatory Music Education in Rio de Janeiro’s Oficinas." Journal of Popular Music Studies 31.3.
Snyder, Andrew. 2018. "Critical Brass: The Alternative Brass Movement and Street Carnival Revival of Olympic Rio de Janeiro. Doctoral Dissertation, University of California, Berkeley.
